Here we don't start from zero

Theatre Influencers and Theatre Critics

hands typing on a typewriter

This has to do with the uneven practices that some theatres (not all of them, as there are always exceptions) have had throughout the ages, from targeting shows to quoting and using outlets. And, dear reader, truth be told, my husband scolded me for the said paragraph.

Interviews From Another Zero

Promotional poster for the San Diego halloween Film Fest with all the titles, website and detals with a black background, purple and green colors.

I had a lovely conversation with one of the Co-Founders of the San Diego Halloween Film Fest, and it was great to learn more about her artistry, the festival’s dynamic, and, of course, her other zeros.
The interview is available on our YouTube channel, but I am including it here too, along with more information on the event.

SMALL – Robert Montano’s Autobiographical Monologue is Full of Heart

A man opening his arms in excitement with a dark background

The true story of Montano’s teenage dream of becoming a jockey. At just 14, he began training with unshakable determination. But the cold reality of height and weight requirements quickly turned his passion into a battle with his own body. A fight that ultimately became a health hazard.

The Old Globe’s World Premiere Huzzah! Is a Musical Party Feast.

The cast of the show Huzzah! a group of people around a pole holding ribons.

I absolutely loved the juxtaposition of the hilarity and the business side of the faire. Something that is not typically explored/exposed to audiences but is often discussed in the performing arts world, especially now with all the budget cuts and increased costs.

Love, Madness, and a Killer Voice: Jekyll & Hyde Thrives at SDMT

Man singing with a fog effect in the background

Omri Schein directs the SDMT piece, and it is a solid production. The musical is long. It has always been long. Regardless, Schein and Richard Dueñez Morrison, in the musical direction, ensured it had a good rhythm, effective framing, and effective use of the stage.