Here we don't start from zero

Ni Perdón, Ni Olvido

plays like Carla Navarro’s Fragment/o/s of Air/e premiere, bringing a gust of fresh air and yes, a (semi) sense of purpose.

“Noises Off” at The Old Globe: 

For me, British humor is dense and not that funny. I struggle to get the puns and punches. However, I have now found the first exception with the 1982 British farce Noises Off, by Michael Frayn, currently playing at The Old Globe

La Residencia de los Backstreet Boys en Las Vegas

Siendo fiel representante de la generación X si me dio sentimiento ver como la mayoría de la gente ya sabe paso a paso lo que sucederá en el concierto por todo lo que han visto en internet, dejando cero espacio para la imaginación o el factor sorpresa. Aunque la verdad es que los videos no le hacen justicia a la realidad. 

The Janeiad by Anna Ziegler:

In Anna Ziegler’s “The Janeiad,” a Brooklyn wife is haunted by myth and memory in a one-act play that merges 9/11 and Homer’s Odyssey. Featuring Michaela Watkins and Nadine Malouf, this surreal drama blurs the line between stage and screen.