Here we don't start from zero

Love, Madness, and a Killer Voice: Jekyll & Hyde Thrives at SDMT

Man singing with a fog effect in the background

Omri Schein directs the SDMT piece, and it is a solid production. The musical is long. It has always been long. Regardless, Schein and Richard Dueñez Morrison, in the musical direction, ensured it had a good rhythm, effective framing, and effective use of the stage. 

Moonlight Theatre Brings “The Prince of Egypt” Under the Stars

For me, Jesus Christ Superstar and Joseph and the Amazing Technicolor Dreamcoat, considered rock operas or rock musicals, have an added je ne sais quoi that sets them apart. It might be because I grew up Catholic, learning about these stories. 

Moonlight Theatre is closing its season with The Prince of Egypt, which I consider to be a part of this category, and a musical that is not often produced.

La Jolla Playhouse Debuts World Premiere of “The Heart”

Their latest production, The Heart, brings a story set in San Diego about a 19-year-old surfer’s last 24 hours. Based on “Réparer les Vivants” (Mend the Living) by Maylis de Kerangal, a work that also inspired a film in 2016, the Playhouse musical added even more, with an electronic dance soundtrack with music and lyrics by Anne Eisendrath and Ian Eisendrath, who is also the music supervisor, with book and additional lyrics by Kait Kerrigan.

OTC Brings “Spring Awakening” to Oceanside

In Oceanside at OTC, with a cool production dynamic that involves the company’s STAGES Apprentice Program, which combines students, early graduates, and professionals on one stage.