Here we don't start from zero

we start from another zero

Artículos

Bilingual Post: 100,000 views

Crear contenidos no es fàcil y mantener un blog hoy en día, al menos para mi, tampoco.

I cannot begin to tell you how happy I am to have hit this milestone. And I have you to thank!

Gracias por leer las entradas, los boletines de artistas e instituciones que compartimos, mis reseñas y entrevistas.

It has been a journey where I leave my beloved space and come back to it. This year, it branched out into a bilingual podcast and I could not feel more proud.

Un proyecto independiente y hecho con mucho amor. Y ya terminamos también la primera temporada del podcast en español!

Gracias por leer, thank you for reading.

Gracias por estar y gracias por confirar.

Thank you for being and thank you for trusting me with your work and creation.

With love,

Alejandra

Alejandra Enciso-Dardashti is a binational communications, public relations, and production consultant specializing in the performing arts. As the founder of Enciso Consulting, she has spent over a decade bridging media, Latin American audiences, and the theater scene across the Tijuana-San Diego border.

Reviews

Moonlight Theatre Brings “The Prince of Egypt” Under the Stars

For me, Jesus Christ Superstar and Joseph and the Amazing Technicolor Dreamcoat, considered rock operas or rock musicals, have an added je ne sais quoi that sets them apart. It might be because I grew up Catholic, learning about these stories. Moonlight Theatre is closing its season with The Prince of Egypt, which I consider to be a part of this category, and a musical that is not often produced.

13 September, 2025

Reviews

Serious Topics like Adoption, Abandonment and a Sense of Belonging Make Up The Shutter Sisters

20 October, 2021

Artículos

Riot Productions brings “Audition Sides” to the Main Stage

Written by Sarah Alida LeClair, who also performs as (The Woman), ‘Sides was inspired by the unsettled love story of pianist/singer Clara Schumann and Johannes Brahms, composer, pianist, and conductor. The setting of the play is an audition, where The Woman is on her fourth callback and has prepared everything, including songs and monologues.

31 January, 2026